Coming of Age. Again

Coming of Age. Again

“Here We Are” is a quiet, perfect, sweet little film. There is nothing grandiose or contrived about it. It takes a moment in time, with characters that give the viewer a glimpse of a kind of real life with which we might readily identify; taking us every bumpy step by step from conflict to resolution. To read the full review of Mountain Shadow’s selection for May, 2021, click on the image above.

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Comic Crime, or Getting Something for Nothing

Comic Crime, or Getting Something for Nothing

“Heist of the Century” is billed as a drama and a comedy. But like other so-called foreign comedies that are often dry, wry, subtle, or dark, such is the case with this purely entertaining 2020 film from Argentina. Beginning with its rather austentatious claim in its title, “Heist” is perhaps a cross between “Ocean’s Eleven,” and that classic Peter Seller’s farce, “The Pink Panther.” To read a brief review of Mountain Shadow’s selection for March, 2021, click on the image above.

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Love Potion

Love Potion

“Master Cheng” was Mountain Shadow’s December selection to conclude the 2020 Season of exception films. It’s a film about food, friendship, and love. The plotline is familiar. A strange looking foreigner with a funny accent shows up in this Lapland town. The locals are suspicious, but separate necessities force everyone to set aside provincial prejudices and stereotypes and discover the world-wide human family all over again. To read the full Mountain Shadow review, click on the image above.

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Gold Rush Redux

Gold Rush Redux

“VEINS OF THE WORLD” - Mountain Shadow’s selection for Novemeber, 2020. In a province in the middle of the Mongolian steppe, 11-year old Amra lives a traditional nomad life tending sheep with his family; until their peaceful routine is threatened by the encroachment of international mining companies, digging for gold and devastating the natural habitat. Amra is compelled to carry on a David vs. Goliath fight with his own cleverness and the tools of an 11-year-old boy. To read the full review, click on the image above.

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TIMBRE

TIMBRE

Expressed in many different ways, there is a creative impulse that drives the artist to do what they do. It can even become a compulsion. For Mountain Shadow’s October selection, we chose and offered our audiences two new film releases. One is a contemporary tale of two fictional characters in “The Artist’s Wife;” whose life stories authentically reflect some very common, gripping issues and challenges for the aging couple. The other film is a bio-pic that enlists the filmmaker’s imagination to fill in those spaces left open by missing historical facts of Ludwig von Beethoven’s exceptional life. To read our brief review of these great films, click on the graphic above.

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6th Annual Short Film Competition

6th Annual Short Film Competition

Our 24-member volunteer Jury previewed 465 submissions to select 13 outstanding short films for this year’s annual short film competition! The 2-hour online show included a variety of animated, documentary and live-action narrative films. Each was preceded by the filmmaker’s brief recorded introduction. Following each of the two screenings, audience members engaged the filmmakers with an online Q&A. To read the full wrap-up, click on the image above.

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Fault Lines

Fault Lines

Some say you can’t go home again. Others are drawn to try, in order to find a way to settle something that may be still unresolved after all these years. The Scandinavian film, OUT STEALING HORSES is just such a tale. Based on Per Petterson’s 2007 NYT best-seller by the same title, director/screenwriter Hans Petter Moland has created one of those meditative journeys of self-reflection and remembrance that characterize this type of foreign filmmaking; along with some of the most beautifully extraordinary cinematography you’ll find, depicted in nature. To read a review of Mountain Shadow’s selection for August, 2020, click on the image above.

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An American in Egypt

An American in Egypt

“Free Trip to Egypt” - A Canadian-born Muslim, who is now a software entrepreneur living in Switzerland, randomly reaches out to some Americans he’s never met, but who fear this stranger. He invites them on an all-expense-paid 10-day trip to Egypt in July, 2017. As a non-judgmental, hopeful idealist, he makes a documentary that ends up being the most extraordinary travelogue you’ll ever see. To read the review of Mountain Shadow’s selection for July, 2020, click on the image above.

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Sheltering in Place: A Survivor's Guide

Sheltering in Place: A Survivor's Guide

In Wolf’s documentary, “Spaceship Earth,” so-called synergists first traipse around the world, gathering all sorts of plants and animals to accompany eight “biospherians” into a massive time capsule they call “Biosphere 2.” It’s their modern version of Noah’s Ark, where they strive to escape the flood of environmental destruction humans have wrought upon this old earth, and undertake a fresh start; armed with a vast amount of accumulated human knowledge, goodwill, and more than a little optimism. What could possibly go wrong? In the midst of a world-wide pandemic, with everyone sheltering in place, this film was Mountain Shadow’s selection for June, 2020. To read the Commentary / Review, click on the image above.

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Something Old, Something New, and the Ties That Bind

Something Old, Something New, and the Ties That Bind

When I first saw Ken Loach’s newest film at the Mill Valley Film Fest last October, litte did I know six months later our world would be turned upside down; with one working-class family’s struggles in this film so powerfully depicting the present socio-economic plight and universal tale we collectively now face world-wide. “Sorry We Missed You,” was Mountain Shadow’s selection for May, 2020. To read the full review, click on the image above.

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An Ordinary Tale

An Ordinary Tale

With a script written by a duo from Chicago and rural Minnesota, and ably directed by Andrew Ahn, “Drivewys” should resonate with plenty of viewers who might reminisce about their own childhood; but recognize this simple, straightforward story as some modern-day version of an American classic. A brief review of Mountain Shadow’s selection for April, 2020, can be read by clicking on the image above.

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Tree of Life?

Tree of Life?

In the film, Noah Land, a son strives to honor his terminally ill father’s last wish to be buried under a tree the father planted as a child; but clashes with villagers who claim the tree is in fact a holy relic planted by Noah after the legendary flood. This film was Mountain Shadow’s exclusive screening of this film for January, 2020. You can read the Mountain Shadow review by clicking on the image above.

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Love & Death, and the Choice to Elude Tragedy

Love & Death, and the Choice to Elude Tragedy

A sad story only becomes a true tragedy when the characters in such a tale fail to grasp the opportunity to somehow redeem the situation. Things may still go very badly. But the larger story can elude becoming deemed as tragic, depending upon the choices one makes; holding fast to what one cherishes most in life. The remarkable full-length animated French film (Mountain Shadows selection for November, 2019), provides such life events that are common, universal and eternal to our human story. To read the full review, click on the image above.

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Up, Up and Away

Up, Up and Away

Film director Michael Bully Herbig tells a tale of what is surely the most spectacular escape from East Germany in his gripping movie thriller, BALLOON. And, like the best and most credible thrillers, it is based on a true story of the ordinary lives of two ordinary families who represent, once more, what is indomitable in the human spirit. BALLON was Mountain Shadow’s film selection for October, 2019. You can read the Mountain Shadow’s film review by clicking on the image above.

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Scripts for Life

Scripts for Life

Mountain Shadow’s film selection for August, 2019, takes as its premise the intractable Israeli-Palestinian conflict, and then proceeds to bill itself as a romantic comedy with such an inflammatory title as “Tel Aviv on Fire.” Dubbed by several critics as a biting satire poking fun at ethnic and political divisions that are nonetheless infatuated with the twists and turns of the same soap operas on television, Sameh Zoabi’s film goes deeper. To read the full Review, click on the image above.

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